WORK HISTORY
ARTIST, BANI PERSHAD 
- PAINTER
- POET
- LYRICIST
“Her journey flows through poetry, painting, and dance—each medium a language through which she explores rhythm, color, and the human spirit”.
Bani's book Gajgamini is a celebration of feminine grace and strength, blending poetry, rhythm, and imagery into a timeless expression of art.
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BANI PERSHAD'S GAJGAMINI
- Volunteer Work
- Engaged in educational activities in Blind School, Delhi, including reading English texts for college students and teaching English to Class 10 students.
- Conducted storytelling sessions for younger children at the school.
- Poet & Lyricist
- Softer & Poetic
- “Her book "Gajgamini" complements her identity as a poet and lyricist, while gracefully echoing her grounding in visual arts and classical dance.”
- Formal & Professional
- “Her book not only complements her identity as a poet and lyricist but also resonates with her background in visual arts and classical dance.”
- Expressive & Artistic
- “Her book extends her identity as a poet and lyricist, beautifully mirroring the sensibilities she has cultivated through visual arts and classical dance.”
- Dance
- Specialized course in Kathak at Kathak Kendra, New Delhi (1980–81).
- Solo performance at the Sri Ram Centre for Performing Arts (1981).
- Trained under Guru Kundan Lal Gangani of the Jaipur Gharana.
- Freelance Artist
- Freelance Artist Since 2008.
- Started Freelance Fabric and Sari Painting Artist (1990-2000).
- Graphic Designer
- Inca Rock Advertising Agency 6 months – 1979
A specialized course at India’s premier Kathak institution signals a deep commitment to classical training. Kathak Kendra, under the Sangeet Natak Akademi, is known for nurturing some of the finest dancers in the country.
A solo recital at this prestigious venue in Delhi reflects not only technical mastery but also the confidence and artistry to hold the stage alone — a significant achievement for any classical dancer.
Learning from a stalwart of the Jaipur Gharana, known for its powerful footwork and rhythmic virtuosity, would have instilled a strong foundation in the traditional style and philosophy of Kathak.